Showing posts with label Booker T. Washington. Show all posts
Showing posts with label Booker T. Washington. Show all posts

5/13/10

Relevant Texts History of African American Literature

-->
THE NORTON ANTHOLOGY OF AFRICAN AMERICAN LITERATURE, SECOND EDITION with two audio cds of folk culture. 
http://books.wwnorton.com/books/detail-contents.aspx?ID=10626


The Declaration of Independence, 1776


David Walker, David Walker’s Appeal in Four Article, 1829 (NA 227-238)

Freedom Riders 
Director/Producer Stanley Nelson

Harriet Jacobs, Incidents in the Life of a Slave Girl, 1861

Frederick Douglass, My Bondage and My Freedom(1855) http://etext.virginia.edu/toc/modeng/public/DouMybo.html
and Life and Times of Frederick Douglass(1881-1892) http://docsouth.unc.edu/neh/douglasslife/douglass.html
(NA Excerpts, 385-387 and 452-483)


Ida B. Wells Barnett, “A Red Record,” 1895 (NA 675-686)

Booker T. Washington, Up From Slavery Excerpt, 1901, (NA 570-602)


WEB DuBois, The Souls of Black Folk,1903 (NA 686-689, 692-766)


Ann Petry, from The Street Excerpt 1946 (NA 1496-1516)
Ralph Ellison, Invisible Man Excerpt 1952 (NA 1548-1570)
James Baldwin, “Notes of a Native Son,” 1955 (NA 1696-1699, 1713-1727)
Lorraine Hansberry, A Raisin in the Sun, 1959 (NA 1768-1830)
Martin Luther King, “Letter from a Birmingham Jail,” 1964 (NA 1895-1908)
El Hajj Malik El-Shabazz, From The Autobiography of Malcolm X 1964
In (NA 1859-1876)
Ntozake Shange, Excerpts. In NA 2553-2559.


Blues People Began Again Thursday, Aug 26th, Assigned Readings

 As of the Fall semester of 2010 at the City College of New York, I will be teaching once again my course Blues People: African American Culture in the 20th Century, as a special section of World Humanities under the course number WH 10302.  The course will meet on Tuesdays and Thursdays at 3:30 p.m.  We will begin in a new way with the discussion of our individual visits to the exhibition For All The World To See: Visual Culture and the Struggle for Civil Rights at The International Center of Photography located at 43rd Street and 6th Avenue.  We will also be reading the book by Maurice Berger, which accompanies the exhibition, in the course of the semester in combination with our other readings in the Norton Anthology and African American Music: An Introduction.  
From there, we will progress to our chronological reading of African American literature in the 20th century, beginning with chapters from WEB Du Bois's 1903 masterpiece TRHE SOULS OF BLACK FOLK.  You are invited to supplement the reading of SOULS with visual materials from Du Bois's "Negro Exhibition" at the Paris Exposition of 1900, about which a great deal has been written and said.  


Du Bois's NEGRO EXHIBITION was compiled by him and others  to document the progress of African Americans since their enslavement had officially ended in the United States in the mid-1860s.  He travelled steerage to Paris to install it at the Paris Exposition of 1900, one of the most celebrated of the world's fairs of the period.    


World's Fairs in general were particularly instructive when considering the status of race and African American in the United States and elsewhere.  Especially when the fair was actually located in the United States (as was the case of the Atlanta Cotton Exposition of 1896 in Atlanta at which Booker T. Washington delivered his celebrated address), African American artists and various kinds of status reports and exhibitions on African Americans were included. 


On this blog, I have made available a variety of related materials, as well, as a very excellent presentation of Du Bois's exhibition at the Paris fair compiled by Eugene Provenzo, who is also the author of THE ANNOTATED SOULS OF BLACK FOLK.  While the book doesn't have high quality photographs, the website is superb and includes superior supporting documentation related to the exhibition.  


REQUIRED READINGS:

   THE NEGRO EXHIBITION COMPILED BY WEB DU BOIS as introduced by me:

   AS COMPILED BY EUGENE PROVENZO:

  COLUMBIAN EXPOSITION OF 1893 IN CHICAGO:

3/5/09

WORLD'S FAIRS

The Columbian Exposition in Chicago, 1893




Approaching the turn-of-the-century, there were many world's fairs taking place throughout Europe and the United States.  There were also fairs in the Pacific, Asia and even Africa.  Worlds fairs or expositions were a major form of popular culture dominated by the interests of the wealthy and the bourgeosie, and conceived as family entertainment.  

Much of these fairs were officially devoted to exhibitions of architecture, art, film and photography, as well as industrial and technological advances.  They included sometimes massive displays of commodities and/or raw materials gathered from successful often imperialist or colonialist military campaigns leading to the opening of new markets combined with various technological breakthroughs.  What makes these events difficult to imagine or recollect today is because we really don't have anything like them.  Probably the most similar would be the formation of a successful mall on the weekend or a car or technology fair.  

The issue of the fairs for our study relates to photography and visual art in which people of color often appeared.  Artists and photographers made images of peoples of color that was sometimes included in the exhibitions.  Frances Benjamin Johnston took pictures of black students and faculty at Hampton Institute, Tuskegee and public schools in Washington D.C. some of which were included in Du Bois's Negro Exhibit featured at the Paris Exposition.  Some of the photographers Du Bois included were black.  There was at least one black photo historian and photographer Deborah Willis has been able to identify in her book on the subject and in her remarks concerning the collection of the exhibited photographs and documents deposited at the Library of Congress.  

The fairs continue in interest throughout the turn-of-the-century beginning with the Columbian Exposition in 1893 where Frederick Douglass, who was then ambassador to Haiti was permanently stationed in the Haitian Pavillion.  Paul Lawrence Dunbar served as his young assistant.  George Walker and Bert Williams were among the American performers who substituted for the Africans who had not yet arrived to populate the Dahomey Village.  Once the members of this incorporated village had arrived, Walker and Williams stayed around to observe the music and the dance, prompting them to construct the highly successful show In Dahomey, which toured Europe and had a successful run on Broadway. 

Human exhibitions were also a major part of what took place at these fairs.  These were exhibitions in which people were presented engaged in typical activities usually from someplace recently the object of military conquest. For instance there were displays of Native American villages, Asian cities and a "Dahomey Village."  In St. Louis there was a display of a group of Pygmies.  Sometimes these displays were incorporated as regular traveling units and they would go from fair to fair for hire.  


Two years after the Columbian Exposition in 1895 at the much more racially segregated Atlanta Cotton Exposition, a "Negro Department" with its own building was featured. Booker T. Washington made his famous Address compromising the political and intellectual aspirations of African Americans at this very same fair. 







Du Bois's Negro Exhibition--1900 Paris Exposition




This link will take you to a selection of photographs from the Negro Exhibition as composed by W.E.B. Du Bois (the author of Souls of Black Folk) and installed at the Exposition Universelle in Paris of 1900. The entire collection of photographs are publicly available online at the Library of Congress Prints and Photographs Division.

These photographs are composed of a variety of image types. They include portraits of graduating classes at black colleges, individual three-quarter portraits, images of run-down black communities, successful black businesses, buildings of black colleges, black businesses and black churches. Not much is known about most of the photographers who took the pictures or the people in the photographs but Deborah Willis has related that which is known at the website at the Library of Congress. And I am sure there will be more information forthcoming as people learn of these images from 1900.  For instance, there is one photograph of the offices of Pauline Hopkin's The Colored American.

These photographs were composed and exhibited just three years before DuBois published Souls of Black Folk.  Part of the response of some of the leading citizens of the black community to Jim Crow segregation and genocide was to build a separate set of resources and communities in which every effort was made to provide equal facilities especially for the young people of these communities, particularly given the obvious implications of the Plessy v. Ferguson Supreme Court Decisions, known to many as "the separate but equal" decision. 

The photographs gathered by Du Bois and exhibited in Paris document that effort.   Nonetheless, the tragedy of this period is that the "separate but equal" approach only resulted in more inequality at every conceivable level.  Du Bois suggests in The Souls of Black Folk, citizens protect their rights through the use of the ballot. Without the ballot any minority population is defenseless and will incur outright hostility rather than support.  Or at least this seems to be the way it went. 

Another aspect of interest from a racial standpoint were the many entertainment features of the fairs, often located in their own section called the Midway at the Columbian Exposition and the Pike at the St. Louis Fair of 1904.  Also, President McKinley was murdered at the 1901 Buffalo Fair.






1904 St. Louis World's Fair.  Photographs by Frances Benjamin Johnston.  The Midway was called the Pike in St. Louis.




Native American Rider at Pan-American Exhibition, Buffalo 1901.  
The Crowd at the St. Louis Fair.  Photographs by Frances Benjamin Johnston.




2/21/09

Course Readings--Section I

Basic Readings taken from---(REQUIRED TEXT)

THE NORTON ANTHOLOGY OF AFRICAN AMERICAN LITERATURE, SECOND EDITION with two audio cds of folk culture.
http://books.wwnorton.com/books/detail-contents.aspx?ID=10626

I. WEB Du Bois, SOULS OF BLACK FOLK (1903)
  Chapters I, III, IV, V, VI, X, XI, XII, XIII, XIV, and The After-Thought

VISUALS:

Negro Exhibit at the Paris Exposition (1900):
Archival reconstruction by Eugene F. Provenzo, Jr., School of Education, University of Miami
http://www.education.miami.edu/ep/Paris/home.htm  

African American Photographs Assembled for the Paris Exposition of 1900:
Photographs Online Catalog, Library of Congress
http://www.loc.gov/pictures/collection/anedub/

SUPPLEMENTARY READINGS:

Thomas Jefferson, DECLARATION OF INDEPENDENCE (1776);


Frederick Douglass, NARRATIVE OF THE LIFE OF FREDERICK DOUGLASS (1836)
 LIFE AND TIMES OF FREDERICK DOUGLASS (Excerpts) (c1890)

Harriet Jacobs, INCIDENTS IN THE LIFE OF A SLAVE GIRL (1851):
Preface, Chapters I, II, V, X, XIV, XVII, XXI, XXIX, XXXIX, XL, XLI

Harriet Wilson, OUR NIG; OR SKETCHES FROM THE LIFE OF A FREE BLACK IN A TWO STORY WHITE HOUSE, NORTH (c. 1951):
Preface, Chapters I, II, II, VIII, X and XII


Booker T. Washington, UP FROM SLAVERY (1893); Chapters I, II, III, XIV

AUDIO FILES:

Spirituals--
Ezekiel Saw De Wheel, Go Down, Mose, Been in the Storm So Long, Steal Away to Jesus, Soon I Will Be Done

Gospels--This Little Light of Mine, Take My Hand, Precious Lord


9/16/08

African American Time Line--First Draft





This "Afro-American Monument" is a composite of thirteen scenes portraying African American history from 1619 and the landing of the first blacks at Jamestown to 1897.  Crispus Attuck's name is mispelled as Christopher.  This was a poster to commemorate African American advancement at yet another world's fair,  the Tennessee Centennial Exposition in Nashville in 1897.  This would have been two years after Washington's successful speech encouraging the peaceful and separate co-existence of the races at the Cotton Exposition in 1895 in Atlanta.  

A picture of the "Negro Exposition Building" (presumably segregated) is featured on the lower, right hand side of the poster.  From the Library of Congress Collection of Prints and Photographs.

1861--Southern States form Confederacy in response to election of Abraham Lincoln as President.  Civil War begins.

**Confederate States/Territories:
Florida, Georgia, Mississippi, Alabama, Virginia, North Carolina, South Carolina, Tennessee, Arkansas, Texas, California, Louisiana, Indian (later Oklahoma) and New Mexico Territories--a total of 14

**Union States/Territories:
New York, Pennsylvania, Vermont, New Hampshire, Maine, Massachusetts, New Jersey, Delaware, Connecticut, Ohio, Illinois, Missouri, Kentucky, Iowa, Kansas, Oregon, West Virginia, Minnesota, Wisconsin, Michigan, Indiana, Rhode Island, Maryland, District of Columbia, Washington, Utah, Nebraska and Colorado Territories--a total of 28

1863--Lincoln issues Emancipation Proclamation, declaring slaves in Confederate "rebellious" states "forever free." 
186,000 African Americans enlist during the final two years of the Civil War.

1865--Unions wins the Civil War.  Lincoln assassinated.  Southern states enact "Black Codes."  Congress passes 13th Ammendment outlawing slavery. 

1866--Congress passes 14th Ammendment granting citizenship to African Americans.  Reconstruction begins. Ku Klux Klan formed in Tennessee.  Congress authorizes four black units to fight Indians in the West.  Dubbed "Buffalo Soldiers" by Native Americans.

1868--W.E.B. Du Bois born in Great Barrington, Massachusetts only child of Alfred Du Bois and Mary Silvina Burghardt.  

1869--Congress passes 15th Ammendment giving black men the vote.

1870-1871 Congress passes Federal Ku Klux Klan Acts to protect black voters.

1875--The State of Tennessee is the first to institute Jim Crow (segregation) Law.

1877--Federal Troops withdraw from the South; Reconstruction ends. 

1880--60,000 "exodusters" leave Nashville for Kansas to escape Jim Crow.  

1880--Slavery abolished in Cuba.

1884--European nations convene in Berlin and divide the continent of Africa into colonies.

1884--Du Bois graduates from high school, the only black student in a class of 13.

1888--Slavery abolished in Brazil.

1890--Du Bois awarded B.A. cum laude in philosophy at Harvard.  Begins graduate school at Harvard in political science.  Frances Harper publishes her novel IOLA LEROY. 

1890-- (Jim Crow Law) Segregation is made law in the state of Mississippi.  Begins to use literacy tests to disenfrancise black voters.

1892--Du Bois visits 12 year old Helen Keller (blind and deaf child) at her school in Boston with the philosopher and Harvard Professor William James (brother of Henry James). 

1892--Ida B. Wells begins her anti-lynching campaign in response to the lynching of three of her friends in Memphis, Tennessee.

1893--Columbian Exposition in Chicago: Frederick Douglass headquarters at Haitian Pavillion with Paul Lawrence Dunbar as his assistant; Dahomey Village inspired IN DAHOMEY, a Broadway show by Bert Williams and tk Walker; the debut of Nancy Green as Aunt Jemima, the pancake queen.  Henry O. Tanner's "The Banjo Lesson" is included in the American art exhibition.

1895--Atlanta Compromise speech by Booker T. Washington at the Cotton Exposition, describing racial segregation as an opportunity and black suffrage as not yet necessary.  Du Bois who is the first black man to receive a Ph.D. from Harvard in this same year, writes Washington a note: "Let me heartily congratulate you uon your phenomenal success at Atlanta--it was a word fitly spoken."

1896--(Jim Crow) Segregation made law in the state of Louisiana.  Plessy v. Ferguson, U.S. Supreme Court upholds Jim Crow Law as constitutional.  

The decision stated, "The object of the 14th Amendment was undoubtedly to enforce the absolute equality of the two races before the war, but in the nature of things it could not have intended to abolish distinctions based upon color, or to enforce social, as distinguished from political equality or a commingling of the two races upon terms unsatisfactory to either."

1897--Du Bois helps to found the American Negro Academy.  Delivers address, "The Conservation of Races," calling on American blacks to serve as the "advance guard" of black racial development globally "and to maintain a separate identity within American society." Becomes professor of economics and history at Atlanta University.

1898--Spanish American War.  Black soldiers played a major role in the winning of the Battle at San Juan Hill, which ended with the signing of the Treaty of Paris.  The U.S. victory against the Spanish led to the American possession of Cuba, Puerto Rico, Guam, the Phillippines and the Caroline islands, in one of the most poorly understood episodes in U.S. history. 


1898--Wilmington Massacre, in which Dixie Democrats violently remove Republicans from office and prevent blacks from voting.

1899--Charles Chesnutt's THE MARROW OF TRADITION published.  Portrays in a novel the Wilmington Massacre.

1899--Sam Hose accused of murder and lynched in Atlanta.  Du Bois recognizes that activism is unavoidable. 

1900--Segregation (Jim Crow Law) begins in Texas, Arkansas, Alabama, Georgia, Florida, South Carolina, North Carolina and Virginia.  

1900--WEB Du Bois travels by steerage to the Universelle Exposition in Paris to install the Exhibition on the Progress of African Americans. Receives gold medal.  Attends first Pan-African Conference in London, and delivers speech in which he first says, "the problem of the 20th century is the problem of the color line."

1900--Pauline Hopkins writes and edits THE COLORED AMERICAN, an illustrated African American journal, in Boston.  She also publishes her novel CONTENDING FORCES.

1901--Article defending the Freedmen's Bureau, which will later become a chapter in SOULS is published in the Atlantic Monthly in March.*

1903--WEB Du Bois publishes THE SOULS OF BLACK FOLK, which brings him to national prominence and makes public his opposition to Washington's views. 

1906--In homage to John Brown, the Niagara Movement first meets at Storer College in Harpers Ferry, West Virginia.  



Detail from racist postcard from Rare Books, Manuscripts and Special Collections Library, Duke University, p. xii in THE RISE AND FALL OF JIM CROW by Richard Wormser, Companion Volume to PBS Series, St. Martins Press 2003.

1903-1909--Jim Crow practices (segregation) spread from Kansas to Ohio, Kentucky, Illinois and New Jersey.  

1898-1909--Major race riots in Atlanta, Georgia; Wilmington, NC; Ft. Riley, Kansas, New Orleans, Louisiana; Ft Riley, Illinois, Greensburg, Indiana, Springfield, Ohio; New York, NY.

1889-1918--Blacks were lynched in almost every state. 

1909--NAACP (National Association for the Advancement of Colored People) is founded in order to attack segregation, lynching and race riots.  Du Bois hired as Director of Publications and Research.  Moves to New York to found, edit and write THE CRISIS, the monthly magazine of the NAACP.

1910--National Urban League founded to direct migrants from the South to jobs, housing and education.

1912--Jelly Roll Morton publishes his first song, "The Jelly Roll Blues."

1913--Du Bois writes and stages THE STAR OF ETHIOPIA, a pageant celebrating black history to commemorate the 50th anniversary of the emancipation.

1914--Du Bois supports women's suffrage in CRISIS editorial.

1915--NAACP campaigns actively against the public exhibition of THE BIRTH OF A NATION.  

"Let us while this war lasts, forget our special grievances and close our ranks shoulder to shoulder with our white fellow citizens and the allied nations that are fighting for democracy." 

1917-1919--More than 400,000 served in the United States Army during WWI

1920--Negro National Baseball Leagued founded.

1920--500,000 blacks leave the rural South for the North.  The Great Migration begins.

1923--Jean Toomer publishes CANE.

1926--Langston Hughes publishes THE WEARY BLUES.

1929--Stock Market Crash.  The Depression begins.  The Nation of Islam formed in Detroit.

1932--Black voters switch from the Republican to the Democratic Party, in time to vote for Franklin Delano Roosevelt, the architect of the New Deal.  

1935--Zora Neale Hurston publishes MULES AND MEN.

1937--Zora Neale Hurston publishes THEIR EYES WERE WATCHING GOD.

1940--The War Department begins to train black pilots at Tuskeegee University in Alabama.

1944--701,678 African Americans in the U.S. Army.

1945-1947--Thelonius Monk, Charlie Parker, Bud Powell and Dizzy Gillespie pioneer "bebop" jazz at Minton's Playhouse in Harlem.

1947--Richard Wright publishes 12 MILLION BLACK VOICES.

1948--President Harry S. Truman integrates the U.S. armed forces.

1954--U.S. Supreme Court declares segregation unconstitutional in the public schools in the case of Brown versus the Board of Education of Topeka, Kansas.

1954--Gwendolyn Brooks publishes MAUD MARTHA.

1955--Emmett Till (14 years old0 lynched in Money, Alabama for whistling at a white woman.

1955--Montgomery Bus Boycott begins after Rosa Parks refuses to give up her seat to a white man.  The one year boycott is led by Martin Luther King Jr.

1959--Berry Gordy founds Motown Records in Detroit, Michigan.

1960--Sit Ins begin in Greensboro, North Carolina.

1963--March on Washington led by Martin Luther King, Jr., 250,000 people.
President John F. Kennedy assassinated in Dallas, Texas.

1963--Leroi Jones (aka Amiri Baraka) published BLUES PEOPLE.

1965--Malcolm X assassinated in New York City at the Audobon Ballroom.

1968--MLK assassinated in Memphis, Tennessee.

*Notes on Du Bois prepared by Nathan Huggins in Library of America edition of SOULS OF BLACK FOLK.